PRODUCT

Digital Speaker Processor DP48 IV dB-MARK INS/OUTS : 4 Ins / 8 Out IMPEDANCE : Input balance 20 kOhm , Output balance 100 Ohm PC COM PORT : 1 USB Com Port on front panel : 2 RS485 Com Port on back panel (RJ-45) FREQUENCY RESPONSE : 15 Hz - 25 KHz (-0.3dB) INPUT SCOKET : Female XLR OUTPUT SCOKET : Male XLR INPUT RANGE : < +20 dBu CMRR : > 70 dB (1 KHz) S/N R : > 110 dB THD : < 0.01% Output = 0 dBu / 1 KHz

96K Hz sampling frequency, 32-bit DSP processor, 24- bit A/D and D/A converter. 6 models available: 2 ins/4 outs, 2 ins/6 outs, 2 ins/8 outs, 3 ins/6 outs, 4 ins/6 outs, 4 ins/8 outs. USB and RS485 connectors. Up to 250 digital speaker managers can be connected together via RS485 and controlled remotely up to 1500 meters away. Convenient use of function buttons on either front panel or the included software interface displays. 30 user-program parameters can be stored into the device. Parameters can be safely locked against unauthorized users or unwanted changes. 6 independent parametric EQ for the input/output. The gain range rises from -20 to 20 dB per band. The output channel EQ can be adjusted to act as a Lo-shelf or Hi-shelf. 4 2×2 LCD blue back-light display present. 6 level meter LED display (mute and edit status of input/output displayed too). Compensation-delay, phase-control and mute settings for each input/output channel. It offers a maximum length of 1000ms of delay that can be displayed in milliseconds, meters and feet all together. Adjustable gain and limiter of output channel; Several input/output signals can be adjusted with the same parameters by the link available option.

OVERVIEWFEATURESSPECIFICATIONSDOWNLOADSDPA260P is a cost-effective 2-IN/6-OUT digital speaker management system. Designed to be catered for any crossover configuration, it provides the suitable processing and control for live application use. It offers 2 analog inputs, and 6 analog outputs, managed by a powerful MARANI® DSP Engine, in addition to 24 Bit AD/DA Converters. Each input channel provides a choice of EQ with a 11-band Parametric EQ, gain control, noise gate function, RMS Compressor, Internal White/Pink Noise Generator and configurable delay. Each output offers up to 5-band of parametric equalization into the crossover filters which themselves provide slopes from 6dB/Octave up to 48dB/Octave. Each output path also features peak limiter and driver alignment delay.

OVERVIEWFEATURESSPECIFICATIONSDOWNLOADSDPA260P is a cost-effective 2-IN/6-OUT digital speaker management system. Designed to be catered for any crossover configuration, it provides the suitable processing and control for live application use. It offers 2 analog inputs, and 6 analog outputs, managed by a powerful MARANI® DSP Engine, in addition to 24 Bit AD/DA Converters. Each input channel provides a choice of EQ with a 11-band Parametric EQ, gain control, noise gate function, RMS Compressor, Internal White/Pink Noise Generator and configurable delay. Each output offers up to 5-band of parametric equalization into the crossover filters which themselves provide slopes from 6dB/Octave up to 48dB/Octave. Each output path also features peak limiter and driver alignment delay.

GQX Series graphic equalizers are available in two configurations. The GQX-1502 features two channels of 15-band 2/3-octave equalization and a switchable high-pass filter (40Hz). The GQX-3102 features two channels of 31-band 1/3-octave EQ, a tunable high-pass filter circuit (8Hz to 200Hz), a switch-selectable cut or boost of either 6dB or 15dB. The 45mm full-throw faders are a custom-manufactured metal-shaft type, with the center detented position utilized as an "on/off" switch for that filter which minimizes any possible degradation in signal noise levels. A 10-segment, two color LED meter displays accurately displays your signal level and referenses 0 VU to +4dBu. The GQX models are designed to be significantly quiet without the need for noise reduction to be built into the equalizer circuit. Double-sided circuit boards and an extensive ground plane design are used in the filter sections to improve RFI and electrostatic immunity. Precision Wein-Bridge filters and carefully designed summing amplifiers combine to provide extremely accurate response, low noise, negligible distortion, and complete immunity to magnetic fields. All filters exhibit true constant "Q" response with no broadening near the "flat" setting. High slew-rate circuitry throughout the signal path results in clean, quiet, transparent sound. The faders used are a custom-manufactured metal-shaft type, with molded saddle knobs, for the ultimate in reliability and smooth "feel". Ashly's unique "T-Beam" front panel construction eliminates interconnections between the faders and the filters, resulting in a very rugged and rigid front panel. Input and output connections include locking XLR, 1/4" TRS and Euroblock. Ashly's servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected directly to ground. The power supply is a universal switching power supply which operates from 100-240VAC, 50/60Hz with the power switch located on the rear panel

Input Connector 1/4" TRS, female XLR (pin 2 hot) and barrier terminal strip Type Electronically balanced/unbalanced, RF filtered Impedance Balanced 40KΩ, unbalanced 20KΩ Max Input Level > +21dBu balanced or unbalanced CMRR > 40dB, typically > 55dB at 1KHz Output Connector 1/4" TRS, male XLR (pin 2 hot) and barrier terminal strip Type Impedance balanced/unbalanced, RF filtered Impedance Balanced 120Ω, unbalanced 60Ω Max Output Level > +21dBu balanced/unbalanced into 2KΩ or greater > +18dBm balanced/unbalanced (into 600Ω) System Performance Bandwidth 20Hz to 20KHz, +0.5/-1dB Frequency Response < 10Hz to > 50KHz, +0.5/-3dB Noise Reduction In (+/-6dB and +/-15dB range) : Signal to Noise > 100dB, unweighted : Dynamic Range > 118dB, unweighted Noise Reduction Out (+/-6dB range) : Signal to Noise > 94dB, unweighted : Dynamic Range > 112dB, unweighted Noise Reduction Out (+/-15dB range) : Signal to Noise > 90dB, unweighted : Dynamic Range > 108dB, unweighted THD+Noise < 0.04%, 0.02% typical at +4dBu, 1KHz < 0.5% at 1KHz with 15dB gain reduction Interchannel Crosstalk < -80dB, 20Hz to 20KHz Noise Reduction Up to 20dB of dynamic broadband noise reduction Function Switch Type III NR Activate Type III Noise Reduction EQ Bypass Bypass the graphic equalizer section in the signal path Low Cut (recessed) Activate the 40Hz 18dB/octave Bessel high pass filter Range (recessed) Select either +/-6dB or +/-15dB slider boost/cut range Indicator Output Level 4 LED bar graph at -10, 0, +10 and +18dBu Gain Reduction 4 LED bar graph at 0, 3, 6 and 10dB Type III NR Active Yellow LED EQ Bypass Red LED Clip Red LED Low Cut Red LED +/-6dB Range Yellow LED +/-15dB Range Red LED Power Supply Operating Voltage 230VAC 50/60Hz Power Consumption 28 Watts Main Connection IEC receptacle

Main Feature - Switchable range between +/-6dB and +/-15dB - Balanced input and output - XLR, barrier strip and 1/4" TRS connector - Input gain range -12dB/+12dB - 18dB/octave 40Hz Bessel low cut filter - Chasis/signal ground lift capability Input Connector 1/4" TRS, female XLR (pin 2 hot) and barrier terminal strip Type Electronically balanced/unbalanced, RF filtered Impedance Balanced 40KΩ, unbalanced 20KΩ Max Input Level > +21dBu balanced or unbalanced CMRR > 40dB, typically > 55dB at 1KHz Output Connector 1/4" TRS, male XLR (pin 2 hot) and barrier terminal strip Type Impedance balanced/unbalanced, RF filtered Impedance Balanced 200Ω, unbalanced 100Ω Max Output Level > +21dBu balanced/unbalanced into 2KΩ or greater > +18dBm balanced/unbalanced (into 600Ω) System Performance Bandwidth 20Hz to 20KHz, +0.5/-1dB Frequency Response < 10Hz to > 50KHz, +0.5/-3dB Dynamic Range (+/-6dB range) 115dB Dynamic Range (+/-15dB range) 109dB Signal to Noise (+/-6dB range ) 97dB Signal to Noise (+/-15dB range) 90dB THD+Noise < 0.005% Interchannel Crosstalk < -80dB, 20Hz to 20KHz Function Switch EQ Bypass Bypass the graphic equalizer section in the signal path Low Cut (recessed) Activate the 40Hz 18dB/octave Bessel high pass filter Range (recessed) Select either +/-6dB or +/-15dB slider boost/cut range Indicator Output Level 4 LED bar graph at -10, 0, +10 and +18dBu EQ Bypass Red LED Clip Red LED Low Cut Red LED +/-6dB Range Yellow LED +/-15dB Range Red LED Power Supply Operating Voltage 230VAC 50/60Hz Power Consumption 24 Watts Main Connection IEC receptacle

EQ2231 is a general graphic equalization with excellent function which is suitable for many kinds of sound adjustment in the audio projects. Features: - The EQ2231 is a two channel graphic equalizer that provides a generous +/-15dB of control range on each of 30 constant Q frequency bands. - Centre bypass. When any eq fader is in its centre detent position,the filter is automatically bypassed, for optimum performance. - Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz. รา

12-Channel Mixing Console Max. 6 Mic / 12 Line Inputs (6 mono + 3 stereo) 1 Stereo Bus 1 AUX (incl. FX) “D-PRE” mic preamps with an inverted Darlington circuit 1-Knob compressors High-grade effects: SPX with 24 programs 24-bit / 192kHz 2in / 2out USB Audio functions Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter Includes Cubase Al DAW software download version Cubasis LE for iPad available at App Store PAD switch on mono inputs +48V phantom power XLR balanced outputs Metal chassis Dimensions(W×H×D): 315 mm x 91 mm x 297 mm (12.4" x3.6" x11.7") Net Weight: 3.0 kg (6.62 lbs.)

Feature Professional audio engineers have known fo How Does Equalization Work? Special Tools for Low and High Frequencies Crossover Built in FBQ - Totally Feedback-Free Stereo or Double-Duty? FBQ6200 – Much More Than Just a Great EQ Superb Audio, Sound Value Quick View Menu FBQ6200 (30 Reviews) Audiophile 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System Legacy Product Sweetwater Thomann Musician's Friend Music Store Amazon Audiophile 31-band stereo graphic equalizer for live and studio applications Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer Dedicated Limiters with gain reduction meters for each channel protect your sound system from overload and distortion Pink noise generator provides test signals to adapt your sound system to any room acoustics Mono subwoofer output with dedicated level control and adjustable crossover frequency Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e.g. floor rumble, hiss etc. Highly accurate 8-segment LED input/output metering and input gain controls for easy level setting Ultra-low noise audio operational amplifiers for highest signal integrity Relay-controlled hard bypass with an auto-bypass function during power failure (failsafe relay) Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors Shielded toroidal power transformer for ultra-low noise performance High-quality components and exceptionally rugged construction ensure long life

Input channels: 10 Line Inputs (4 mono, 3 stereo), 4 Mic Inputs with 48V phantom power and HPH per channel. Output channels: 2 ST, 1 MONITOR, 1 AUX[FX] send, 1 PHONES. Bus: 1 ST, 1 AUX[FX] Robust, impact-resistant, powder-coated metal chassis. AC Adapter PA-10 (AC 38VCT, 0.62A) or equivalent recommended by Yamaha. Discrete class A “D-PRE” mic preamps with an inverted darlington circuit. Professional “1-knob compressors”. Digital effects processors: 24 “SPX” effects 24-bit/192kHz 2IN/2OUT USB Audio Interface function. Cubase AI access code included for Download on the Steinberg website. Cubasis LE available for free download on the App Store. MG REC/PLAY available for free download on the App Store.

Professional 31-band stereo graphic equalizer for live and studio applications Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer Dedicated mono subwoofer output with adjustable crossover frequency Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc. Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting Ultra-low noise audio operational amplifiers for highest signal integrity Relay-controlled hard-bypass with an auto-bypass function during power failure (failsafe relay) Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors Shielded toroidal power transformer for ultra-low noise performance

24 Mic Inputs with 48V Phantom Power and HPF per Channel 32 Line Inputs (24 mono and 4 stereo) 6 AUX Sends + 2 FX Sends 4 GROUP Buses + ST Bus 2 Matrix out 1 Mono out

2 Way Stero/ 3 Way Mono - FREQ : 20Hz - 20KHz - CROSS FREQ : LOW/MID : 46Hz-950Hz - MID/HIGH : 460Hz-9.5KHz - FILTER TYPE : LINKWITE - RILEY 24dB/OCTAVE - POWER SOURCE : 220 VAC - DIMENSIONS (WxHxD) : 483x44x158 MM. 1U ; 2.4KG

16 Mic Inputs with 48V Phantom Power and HPF per Channel 24 Line Inputs (16 mono and 4 stereo) 6 AUX Sends + 2 FX Sends 4 GROUP Buses + ST Bus 2 Matrix out 1 Mono out

Studio-grade Discrete Class A “D-PRE” Mic Preamps with an Inverted Darlington Circuit - Musical X-pressive EQ based on Yamaha’s famed VCM Technology - Professional 1-knob Compressors with LED Indicators - High-grade Dual Digital Effects Processors: Advanced REV-X and Classic SPX - Stereo Hybrid Channels utilizing a Powerful, Proprietary DSP Digital Connectivity for iPod/iPhone - MGP Editor for Detailed Control of the Console's DSP settings via iPod/iPhone - Rugged, Impact-resistant, Powder-coated Metal Chassis - Integrated Rack-ears for Easy Rack Mounting - Internal Universal Power Supply for World-wide Use - 10 Mic Inputs with 48V Phantom Power and HPF per Channel - Additional 2TR Inputs Provided to Accept the Output from Analog Devices or iPod/iPhone - 16 Line Inputs (8 mono and 4 stereo) - 4 GROUP Buses + ST Bus - 2 AUX Sends + 2 FX Sends

- Studio-grade Discrete Class A “D-PRE” Mic Preamps with an Inverted Darlington Circuit - Musical X-pressive EQ based on Yamaha’s famed VCM Technology - Professional 1-knob Compressors with LED Indicators - High-grade Dual Digital Effects Processors: Advanced REV-X and Classic SPX - Stereo Hybrid Channels utilizing a Powerful, Proprietary DSP - Digital Connectivity for iPod/iPhone - MGP Editor for Detailed Control of the Console's DSP settings via iPod/iPhone - Rugged, Impact-resistant, Powder-coated Metal Chassis - Integrated Rack-ears for Easy Rack Mounting - Internal Universal Power Supply for World-wide Use - 6 Mic Inputs with 48V Phantom Power and HPF per Channel - 12 Line Inputs (4 mono and 4 stereo) - Additional 2TR Inputs Provided to Accept the Output from Analog Devices or iPod/iPhone - 2 AUX Sends + 2 FX Sends - 4 GROUP Buses + ST Bus

20-Channel Mixing Console Max. 16 Mic / 20 Line Inputs (12 mono + 4 stereo) 4 GROUP Buses + 1 Stereo Bus 4 AUX (incl. FX) “D-PRE” mic preamps with an inverted Darlington circuit 1-Knob compressors High-grade effects: SPX with 24 programs 24-bit/192kHz 2in/2out USB Audio functions Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter Includes Cubase AI DAW software download version PAD switch on mono inputs +48V phantom power XLR balanced outputs Internal universal power supply for world-wide use Rack Mount Kit Included Metal chassis Dimensions(W×H×D): 444 mm x 130 mm x 500 m (17.5" x 5.1" x 19.7") Net Weight: 7.1kg (15.7 lbs.)

20-Channel Mixing Console Max. 16 Mic / 20 Line Inputs (12 mono + 4 stereo) 4 GROUP Buses + 1 Stereo Bus 4 AUX (incl. FX) “D-PRE” mic preamps with an inverted Darlington circuit 1-Knob compressors PAD switch on mono inputs +48V phantom power XLR balanced outputs Internal universal power supply for world-wide use Rack Mount Kit Included Metal chassis Dimensions(W×H×D): 444 mm x 130 mm x 500 m (17.5" x 5.1" x 19.7") Net Weight: 6.9kg (15.2 lbs.

16-Channel Mixing Console Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) 4 GROUP Buses + 1 Stereo Bus 4 AUX (incl. FX) “D-PRE” mic preamps with an inverted Darlington circuit 1-Knob compressors High-grade effects: SPX with 24 programs 24-bit/192kHz 2in/2out USB Audio functions Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter Includes Cubase Al DAW software download version PAD switch on mono inputs +48V phantom power XLR balanced outputs Internal universal power supply for world-wide use Rack Mount Kit Included Metal chassis Dimensions(W×H×D): 444 mm x 130 mm x 500 mm (17.5" x 5.1" x 19.7") Net Weight: 6.8 kg (15.0 lbs.)

16-Channel Mixing Console Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) 4 GROUP Buses + 1 Stereo Bus 4 AUX (incl. FX) “D-PRE” mic preamps with an inverted Darlington circuit 1-Knob compressors PAD switch on mono inputs +48V phantom power XLR balanced outputs Internal universal power supply for world-wide use Rack Mount Kit Included Metal chassis 444 mm x 130 mm x 500 mm (17.5" x 5.1" x 19.7") 6.6 kg (14.6 lbs.)

Mode switch for stereo 2-way/3-way or mono 4-may operation Low frequency summed (subwoofer) output x10 range switch on both channel 40Hz high pass (low cut) filter both channel Phase reverse switch on all output Individual level control on all output 24dB/octave Linkwitz-Riley filter (the professional standard) Stereo/Mono status LED indicate the selected mode

10-Channel Mixing Console Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo) 1 Stereo Bus 1 AUX (incl. FX) “D-PRE” mic preamps with an inverted Darlington circuit 1-Knob compressors PAD switch on mono inputs +48V phantom power XLR balanced outputs Metal chassis Dimensions(W×H×D): 244 mm x 71 mm x 294 mm (9.6"x 2.8"x 11.6") Net Weight: 1.9 kg (4.19 lbs.)

Mode switch for stereo 2-way or mono 3-may operation Low frequency summed (subwoofer) output x10 range switch on both channel 40Hz high pass (low cut) filter both channel Phase reverse switch on all output Individual level control on all output 24dB/octave Linkwitz-Riley filter (the professional standard) Stereo/Mono status LED indicate the selected mode

12-Channel Mixing Console Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo) 2 GROUP Buses + 1 Stereo Bus 2 AUX (incl. FX) “D-PRE” mic preamps with an inverted Darlington circuit 1-Knob compressors High-grade effects: SPX with 24 programs 24-bit / 192kHz 2in / 2out USB Audio functions Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter Includes Cubase Al DAW software download version PAD switch on mono inputs +48V phantom power XLR balanced outputs Internal universal power supply for world-wide use Optional Rack Mount Kit RK-MG12 Available Metal chassis Dimensions(W×H×D): 308 mm x 118 mm x 422 mm (9.6" x 2.8" x 11.6") Net Weight: 4.2 kg (9.3 lbs.)

12-Channel Mixing Console Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo) 2 GROUP Buses + 1 Stereo Bus 2 AUX (incl. FX) “D-PRE” mic preamps with an inverted Darlington circuit 1-Knob compressors PAD switch on mono inputs +48V phantom power XLR balanced outputs Internal universal power supply for world-wide use Optional Rack Mount Kit RK-MG12 Available Metal chassis 308 mm x 118 mm x 422 mm (9.6" x 2.8" x 11.6") Net Weight: 4.0 kg (8.8 lbs.)

2 Respectively: 3-Way stereo or 4-way mono 24 dB / octave Linkwitz-Riley filter Mono-Sub switchable LF / HF gain regular / mutable CD horn EQ switchable Vertex frequency tunable Factor switching (10x) Multi-band limiter switch / variable (threshold) Limit display each way LF Delay (max 2ms / 60cm) Phase reverse 25 Hz subsonic filter, sym XLR in / out with multiband limiters Dimensions: 19", 1U, 147 mm case depth Weight: 1.7 kg

10-Channel Mixing Console Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo) 1 Stereo Bus 1 AUX (incl. FX) “D-PRE” mic preamps with an inverted Darlington circuit 1-Knob compressors High-grade effects: SPX with 24 programs 24-bit / 192kHz 2in / 2out USB Audio functions Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter Includes Cubase AI DAW software download version PAD switch on mono inputs +48V phantom power XLR balanced outputs Metal chassis Dimensions(W×H×D): 244 mm x 71 mm x 294 mm (9.6"x 2.8"x 11.6") Net Weight: 2.1 kg (4.63 lbs.)

6-Channel Mixing Console Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) 1 Stereo Bus “D-PRE” mic preamps with an inverted Darlington circuit High-grade effects: SPX with 6 programs XLR balanced outputs PAD switch on mono inputs +48V phantom power Metal chassis Dimensions(W×H×D): 149 mm x 62 mm x 202 mm (5.9"x 2.4"x 7.9") Net Weight: 0.9 kg (1.98 lbs.)

2-Way stereo or 3-way mono mode Additional subwoofer output Linkwitz-Riley filter with 24 dB / octave Sub-woofer frequency range separately adjustable Individual output gain controls and output mute switch for all bands 2 Balanced XLR inputs with gold-plated contacts 5 Balanced XLR outputs with gold-plated contacts Switchable 25 Hz low-cut filter to protect loudspeakers from infrasound Easy-to-read status LEDs Built-in power supply 100-240V, 50-60 Hz Dimensions (H x W x D): 44 x 483 x 147 mm Weight: 1.6 kg